Monday, May 17, 2010
Sunday, May 16, 2010
Things to remember in the narrow isles of the grocery:
Saturday, May 8, 2010
Flowerhead
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German born illustrator, Olaf Hajek, creates commercial and personal work. His work can be recognized in the NY Magazine or National Geographic. He paints with acrylic on paper, wood, or cardboard and is heavily influenced by folklore. He finds the American Folkart Museum a place of inspiration and awe. "I love the haptical," Hajek says. It is in his curiousness of the relationship of science and touch that we can explore the luminous and fairytale qualities of Hajek's illustrations.
Friday, May 7, 2010
Sense Synthetic
The fine and sacred materials that compose natural perfumes are unique. Next time I'm walk through Macy's I'm curious to see the selection of natural perfumes to synthetic perfumes.
Thursday, May 6, 2010
The Mother Nest
Paul Auster
Stockton Race
Foreign Pabulum
- 1 head romaine lettuce- rinsed, dried and chopped
- 1 red onion, thinly sliced
- 1 (6 ounce) can pitted black olives
- 1 green bell pepper, chopped
- 1 red bell pepper, chopped
- 2 large tomatoes, chopped
- 1 cucumber, sliced
- 1 cup crumbled feta cheese
- 6 tablespoons olive oil
- 1 teaspoon dried oregano
- 1 lemon, juiced
- ground black pepper to taste
No Bike, Four Fleas, and a Loaf
I walked into the fairground type setting. This flea market was orderly with vendor tents in a large square making rows and rows of people selling household cleaners, underwear, tools, peanuts, antiques, and bikes. A young boy cradled his new puppy. "¿Cuál es su nombre?" I asked him. He was shy, "I dunno," I laughed. Peanuts piled on a table caught my eye and fresh peanut sauce was on my mind. A little boy sold me a pound for a dollar. He was happy to keep the change for himself. Adam had a hint of restlessness in his gait. We sped to the exit and biked back to the Levy path, continuing towards Delta College.
Vito tore off on his fancy track bike twenty-three miles per hour. I fell behind and Adam stayed in the middle. I could see Adam turn his head back at me, but I was tired and now pissed. We got there and this time it took a vendor selling fresh French bread for me to come around. Up and down the isles we went, toting our bikes and straying behind Adam holding chunks of fresh bread with our free hands.
A purple Peugeot! Finally something to look at, the man selling it found it in his mother’s garage never ridden. He wanted sixty.
It was a nice, desirable bike in good condition. But it was not the road bike I desired, this pretty purple Peugeot was not going to help me work on holding twenty miles per hour. We took one last lap for the hell of it and walked out of the market tired. We prepared to part ways: a kiss and a laugh and it began to rain.
Wednesday, May 5, 2010
A Picture of Dorian Grey: The Preface
- The artist is the creator of beautiful things.
- To reveal art and conceal the artist is art’s aim.
- The critic is he who can translate into another manner or a new material his impression of beautiful things.
- The highest as the lowest form of criticism is a mode of autobiography.
- Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.
- Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope.
- They are the elect to whom beautiful things mean only beauty.
- There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.
- The nineteenth-century dislike of realism is the rage of Caliban seeing his own face in a glass.
- The nineteenth-century dislike of romanticism is the rage of Caliban not seeing his own face in a glass.
- The moral life of man forms part of the subject matter of the artist, but the morality of art consists in the perfect use of an imperfect medium.
- No artist desires to prove anything. Even things that are true can be be proved.
- No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style.
- No artist is ever morbid. The artist can express everything.
- Thought and language are to the artist instruments of an art.
- Vice and virtue are to the artist materials for an art.
- From the point of view of form, the type of all the arts is the art of the musician. From the point of view of feeling, the actor’s craft is the type.
- All art is at once surface and symbol.
- Those who go beneath the surface do so at their peril.
- Those who read the symbol do so at their peril.
- It is the spectator, and not life, that art really mirrors.
- Diversity of opinion about a work of art shows that the work is new, complex, and vital.
- When critics disagree the artist is in accord with himself.
- We can forgive a man for making a useful thing as long as he does not admire it. The only excuse for making a useless thing is that one admires it intensely.
- All art is quite useless.
- -Oscar Wilde
Tuesday, May 4, 2010
Maurizio Cattelan
Sunday, May 2, 2010
Avocado Soup
BASIC RECIPE
2 haas avocados
2 cups soymilk or more (to desired consistency)
sea salt (to taste)
pepper (to taste)
Mash avocados in a bowl with a fork until smooth. Slowly add soymilk and mix until desired consistency is reached. If you like it creamier, add less soymilk. If you like it thinner, add more soymilk. Add salt, pepper, and any add ins that suit your tastes